Marius Watz Shock And Awe Algorithm Critique The New Aesthetic And Its Discontents

Marius Watz: Shock and Awe, Algorithm Critique, the New Aesthetic and its Discontents I assume that the algorithm used by Watz randomizes probabilities with equations that produce these lattice diagrams, as he has other probability series that create other shapes with different algorithm titles. Watz is known for his bold style, ranging from sharp lines, boxy shapes, and bright colors. The algorithms I am assuming he uses must.

Marius Watz 2014-2015 SIR Marius Watz is an artist working with visual abstraction through generative logic, using computer code to describe complex forms and compositions as a set of rules and parameters that give rise to unpredictable outcomes. In the broadest sense, an algorithm can be a description of any kind of process, whether natural or artificial, scientifically rigid or posessing the "fuzzy logic" of everyday human decision-making.

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7/31/2019 20120610 A Movement in 3 Parts. (1.Shock & Awe, 2.Algorithm Critique, 3.The New Aesthetic And Its Discontents) - Marius Watz - Eyeo 2012 1/8020012.0608 Eyeo…

The Algorithm Thought Police; RE: The Algorithm Thought Police; Algorithm Critique and Computational Aesthetics; Voronoi Diagrams; Bio. Marius Watz (NO) is an artist working with visual abstraction through generative software processes. His work focuses on the synthesis of form as the product of parametric behaviors.

Marius Watz: Packing 1-3 (2007, print using circle packing) Originally posted Feb 12, 2012 on mwatz.tumblr.com. See notes on history and aftermath below.. (And if you don't think an.

Marius Watz: Artist statement / flier for solo show at TM51 gallery, September 2013, Oslo.. Marius Watz - Abuse of an Algorithm Comes as No Surprise. Marius Watz. 20140610 Eyeo - Marius Watz - Field Reports about Art + Tech. (1.Shock & Awe, 2.Algorithm Critique, 3.The New Aesthetic And Its Discontents) - Marius Watz - Eyeo 2012.

Sometimes it involves computers, but not always. The primary gesture of the generative artist is setting a process in motion. A sort of animated aesthetics of dynamics is the frequent result. You don't really need to know what circle packing algorithms are to appreciate the lovely, trippy precision of Watz's.

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Shock and awe (technically known as rapid dominance) is a military strategy based on the use of overwhelming power and spectacular displays of force to paralyze the enemy's perception of the battlefield and destroy their will to fight.

Jun 12, 2012 - 20120610 A Movement in 3 Parts. (1.Shock & Awe, 2.Algorithm Critique, 3.The New Aesthetic And Its Discontents) - Marius Watz - Eyeo 2012 - View presentation slides online. My lecture for Eyeo 2012: A Movement in 3 Parts. (1.Shock & Awe, 2.Algorithm Critique, 3.The New Aesthetic And Its Discontents)

201005 Marius Watz - Closed systems: Generative art and Software Abstraction - Free download as PDF File (.pdf), Text File (.txt) or read online for free. A summary of the state of generative art.

Marius Watz drops by the studio for our last episode in DUMBO. We talk art, twitter, The Algorithm Thought Police, programming, java, processing, python, Modelbuilder, weak and strong typing, and more. A note from Marius: "Thanks again for an interesting conversation. Listening to the edit, I'm somewhat pained to hear myself coming across as sounding both smug and self-important. I'd like to.

Algorithm Critique and Computational Aesthetics - Marius Watz presents a movement in 3 parts: 1. Image overload. 2. Algorithm critique. 3. New directions in…

I assume that the algorithm used by Watz randomizes probabilities with equations that produce these lattice diagrams, as he has other probability series that create other shapes with different algorithm titles.. Marius Watz, May 9, 2012 Marius Watz's Probability Lattice, May 9, 2012. Author aleks Posted on September 10, 2020 Categories.

Earlier today Marius Watz posted some thoughts on "computational cliches" aka overused, well-known algorithms that make pretty things without much work. I largely agree with the sentiment and general attitude, but I'm not 100% in line with the take-away. Watz and I pretty much exists on the opposite ends of the computational art/design spectrum.

Marius Watz (NO) isan artist and designer working with computer code as acreative material to produce bold geometric abstractions based on algorithms. He works in arange of media, from realtime video for large screens to 3D printing and light installations.

Rishaug vs. Watz live at The Villa, Oct 2009 from watz on Vimeo. Watz dropped out of his computer science program and ended up spending several years as a graphic designer, and it shows.

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